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Rachmaninoff’s fourth piano concerto is one of these works that, together with the third symphony and the Symphonic Dances, represents the last stage of the composer’s musical output. This was his least prolific period of composition, and as well the period that is vastly less popular with concert-goers. The concerto itself has neither the pianistic showmanship of the third nor the thematic inspiration of the second, while its melodic material is woven into some very unfamiliar harmonic language....

On the 18th of November, 1915, a recital was held in Moscow to commemorate the life of Alexander Scriabin, whose premature death in April of that year had rocked the world of Russian music. The program consisted entirely of his own works, and performing them at the piano was fellow Moscow Conservatory graduate, Sergei Rachmaninoff. Also present on that evening, as a member of the audience, was Sergei Prokofiev. He was 24 years old....

I bought my tickets for last night’s concert with the San Francisco Symphony last fall when I was under the spell of an almost child-like excitement over this season’s programming of popular masterworks. In particular, the 2009-2010 season has seen the symphonies of Tchaikovsky, Mahler, and Rachmaninoff, as well as a few other big names from the middle Romantic era. The piece from last night’s concert that motivated my purchase was Tchaikovsky’s violin concerto, performed by Christian Tetzlaff—a violinist of modest stature with a powerful sound....

Tchaikovsky’s last three symphonies are probably the most performed and recorded symphonies in existence. Other contenders include those of Beethoven, Mozart, and maybe Haydn by virtue of there being over a hundred of them, but the trinity that is Tchaikovsky’s four, five, and six delivers a sampling of Romanticism that has proven irresistible to popular taste. Brahms might be worth mentioning too, had he left us more than four to choose from....

Out of a mostly irrational desire to witness two musical greats synergized in one absolutely fantastic display of awesomeness, I’d like to see Yuja Wang perform Rachmaninoff’s sonata. The second one of course. The first one is great too, but let’s face it, for a girl who professes a love for those lyrical, big, romantic pieces, Mlle. Wang can’t go wrong with Op. 36. And with Chopin’s second already under her belt, I’d only find it in the natural order of things....