Rachmaninoff Had a Dog

As one who adores the larger canine breeds, I felt compelled to make good on my recent tweet by providing proper visual aid. To be fair, the photograph makes no effort to establish the owner relationship between the two subjects, but as I tweeted, it’s darn cute. … though I wish people made a better effort to smile back in the day.

August 29, 2010

Ravel, An Inspiration to Joel McNeely

Not everyone is familiar with the installment of the Star Wars franchise titled Shadows of the Empire, but that’s mostly because it was a media event that never made it to the big screen. Nonetheless, the video game it spawned deserves some recognition among video games for its use of a fully orchestrated, studio recorded, original soundtrack composed by film and TV composer Joel McNeely. Shadows of the EmpireThe 1996 multimedia project involving a novel, comics, and video game, among others....

August 8, 2010

The Magical Raised Fifth (or Flat Six)

There’s something special about the fifth scale degree of the tonic (major) key when raised a half-step. Granted, there’s something special about every non-key pitch in a tonal system, but what really captivates me about the flat six is its affective power in a Romantic context. Take a minute to listen to this excerpt: what do you feel when you hear the horn make its solo entrance above the sustained bassoon and strings?...

July 15, 2010

Rachmaninoff's Fourth, the Original Version

The other day, I treated myself to the manuscript version of Rachmaninoff’s fourth piano concerto, which I had never heard before. This version, dated sometime in late August of 1926, is the original version of the piece that the composer premiered that year, before revising it twice to cement what we know now as his fourth concerto. The music in this first iteration reveals a strikingly unfamiliar side of the composer....

June 11, 2010

Britney Spears, Breaking the Mold

I’d say that I probably enjoy about half of the songs on the radio today. The other half either make me feel less intelligent (e.g. Replay by Iyaz) or fall short of my desired melodic quota (e.g. Imma Be by Black Eyed Peas; I hate this song). I don’t think I can easily describe what’s in my tastes, but in general, most of the songs I like capitalize on the ever-popular I-V-vi-IV or i-VI-III-VII chord progressions somewhere in the chorus or refrain (e....

May 17, 2010